And in the end we return to where we started. An inconsequential city on the small island which gave its name to an empire spanning continents. The seat of power has long since moved away from Malaz City on the Isle of Malaz, but it was here that an empire was formed, and it was here we first walked into the lives of those who were woven into the fabric of the empire's storied existence.
A wine merchant's son standing on the parapet overlooking both the town and the sea, his head filled with dreams of glory and battlefield victories, has a chance encounter with two soldiers. In the town below fires burn and smoke billows as out of control soldiers brutally carry out the orders of their regent to kill all the cities magic users. When a gust of wind carries the smell of burning flesh to their perch the boy innocently opines that a slaughter house has caught fire, mistaking the smell of humans for beasts.
Many years later, another young boy, looking over the empty sea from the end of the same town's pier, lets his dreams of heroic deeds be interrupted by an old man's apparently pointless attempts to catch a fish during the middle of the day. The setting is somewhat more peaceful then before, as there is no riot taking place and the smell of burning blood isn't wafting over the two, but for the old man who had been one of the soldiers on that parapet all those years ago, the conversation must have been eerily familiar. Yet for all that, and all that we know he has been through in the years between the two conversations, he makes no attempt to dissuade the boy when he speaks of leaving the island and becoming a soldier. Instead he merely echoes words spoken years earlier, "Well, the world always needs soldiers".
In some ways there couldn't be a finer epitaph for Steven Erikson's ten book epic masterpiece, The Malazan Book Of The Fallen. "The world always needs soldiers", for primarily this was the story of soldiers. Brave ones, evil ones, honourable ones, cowards, heroes (intentional and otherwise), but mainly the soldiers who marched in ranks, fought, died, were wounded, survived and went unnoticed by history. For all the intricacies of plots, for all the twists and turns Erikson so successfully navigated in bringing us to his conclusion in, The Crippled God, now available from Random House Canada, like the Malazan Empire itself, the series marched on the backs of its soldier's lives.
For while the gods and other races with powers, including the ability to transform into dragons or change the shape of the world without breaking a sweat, schemed and plotted against each other, it was the mortal soldiers whose footsteps we followed in, and whose boots we stood in on the front lines. Deep into the press of bodies we went, where men and women lost their souls and minds. Swords gouged, shields smashed, blood flowed, piss ran and sweat stank of fear and pain.
We learned what it felt like to fight on when there was no way to win and how there was rarely anything worth celebrating when the victories did come. Usually in the latter it meant you had delivered such slaughter as to feel sick. For dead is dead no matter what flag you fought under and in the corpses opposite you can easily see yourself. But for a slip here, or a lunge there your guts could just as easily been spilled on the ground as anybody else's.
After nine books we have learned not to become overly attached to any of the characters we've met on our march around the world. Even those who have lived thousands of years can still succumb to a sword stroke eventually. So as we come down to the penultimate battles for all those who have endured what the world has thrown at them until this point, and already witnessed the deaths of many we've come to know, we can only hope some will survive. Yet given the circumstances, the odds they face and the mauling their armies have already experienced, we, as well as they, know they all could die. Even worse, their lives could have been spent for no reason if even one of the forces set in motion should go awry.
For in this far off corner of the world an ancient race, the Forkrul Assail, have begun their campaign to rid the world of mortals. They call themselves adjudicators, and they have decided humans no longer deserve to live. Since they long ago killed their own god when they found him lacking, they now seek to steal the power of an alien god, The Crippled God of the title, who fell to this planet thousands of years ago.
It was to counter this threat former Adjunct to the Empress of the Malazan Empire, Tavore Paran, set out on her seemingly aimless campaign. After the losses suffered by both her and her allies' armies in their last engagement their chances of succeeding, slim to begin with, appear next to impossible. They go to face far superior numbers commanded by beings whose very voices can tear the flesh from human skin. What hope do they have of success?
Everyone, from the lowliest camp follower to the highest ranking officer in the allied armies know their role is to die so that others might have the chance to live. Most of them know nothing of the other forces at work, within the very fabric of existence itself, who are fighting the same desperate struggle on the other plains of existence. However as they are marching towards what will be their final battles, Erikson takes us from one field of battle to the next.
Plots and characters he set in motion in previous books, which at the time seemed to be separate stories of their own, are now revealed to be another front on which this war is being fought. In a brilliant feat of engineering he slides the last little piece into place in each area providing the final links tying them all together. Even more amazingly is how he does it with such ease we are left wondering how we could have missed noticing the connections earlier.
Yet, in spite of the grand sweep of events that he created, the crooked paths the story has sometimes walked down, it has been the characters who have been the glue holding it all together. From the ones we've loved to hate, Kallor the high king, to the ones we've loved; Fiddler, Hedge, Whiskeyjack, Kalam, Quick Ben, Toc the Younger, Onas T'oolan, Kruppe, Crokus, Apsalar, Karsa Orlong, Ganoes and Tavore Paran, the humans, the undead, the gods and even a couple of dogs, they are the ones who gave the series the flavour that made it so special. They were a celebration of all that was good and bad in humanity, proving over and over again how situations can bring the best and worst out in everybody. Now here, at the end of their story, we are given a chance to celebrate all that they were and what they meant to the books.
I realize I've not talked much about what actually happens in The Crippled God, but to do that would give too much away to those who have been eagerly awaiting this concluding volume and mean nothing at all to those unfamiliar with the previous nine books. If you belong to the latter group I envy you still having all ten books to look forward to.
For those who are in the former all I can say is you won't be disappointed. It will not only live up to your expectations, it will exceed them. The Malazan Book Of The Fallen is an extraordinary work of epic fiction and this final instalment is not only a fitting conclusion to what's come before, it takes the series to an even higher level than you would have thought possible. Fantasy and science fiction are often thought the poor cousins of so called serious novels, but I defy anyone to think that after reading this series.
(Article first published as Book Review: The Crippled God by Steven Erikson on Blogcritics.)
(Originally posted March 2011)
Richard Marcus is the author of two commissioned works published by Ulysses Press, editor in the books section of Blogcritics.org and contributor at Qantara.de. He has been writing since 2005 and his work has appeared in publications all over the world including the German edition of Rolling Stone Magazine.